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CLIP 258 CLIP 230 CLIP 144 CLIP 300 Play all videos What to know With help from a strong performance by Leonardo DiCaprio as real-life wunderkind con artist Frank Abagnale, Steven Spielberg crafts a film that's stylish, breezily entertaining, and surprisingly sweet. Read critic reviews Artificial Intelligence Rent/buy Rent/buy Subscription Rent/buy Catch Me if You Can videos Best Tom Hanks Movies 2428 Catch Me if You Can Official Clip - Go Fish CLIP 258 Catch Me if You Can Official Clip - No One Else to Call CLIP 230 Catch Me if You Can Official Clip - Bank Teller Seduction CLIP 144 Catch Me if You Can Official Clip - Caught in France CLIP 300 Catch Me if You Can Official Clip - You Got Your Braces Off CLIP 216 Catch Me if You Can Official Clip - Nobody's Chasing You CLIP 258 Catch Me if You Can Official Clip - Do You Concur? CLIP 123 Catch Me if You Can Official Clip - Secret Service Agent CLIP 255 Catch Me if You Can Official Clip - Substitute Teacher CLIP 244 Catch Me if You Can Official Clip - Are You My Deadhead? CLIP 159 Avengers Infinity War Easter Eggs 619 Catch Me if You Can Photos Movie Info Frank Abagnale, Jr. Leonardo DiCaprio worked as a doctor, a lawyer, and as a co-pilot for a major airline - all before his 18th birthday. A master of deception, he was also a brilliant forger, whose skill gave him his first real claim to fame At the age of 17, Frank Abagnale, Jr. became the most successful bank robber in the history of the FBI Agent Carl Hanratty Tom Hanks makes it his prime mission to capture Frank and bring him to justice, but Frank is always one step ahead of him. Rating PG-13 Some Sexual ContentBrief Language Genre Comedy, Drama, Crime Original Language English Director Steven Spielberg Producer Steven Spielberg, Walter F. Parkes Writer Jeff Nathanson, Frank Abagnale Jr., Stan Redding Release Date Theaters Dec 25, 2002 wide Release Date Streaming May 6, 2003 Box Office Gross USA $ Runtime 2h 20m Distributor DreamWorks SKG Production Co Amblin Entertainment, DreamWorks SKG, Parkes/MacDonald, Splendid Pictures Sound Mix Surround Cast & Crew News & Interviews for Catch Me if You Can Critic Reviews for Catch Me if You Can Audience Reviews for Catch Me if You Can Sep 28, 2015 Catch Me If You Can is great for an evening's entertainment in a large group a family gathering. It is light, clever, comical, and a bit suspenseful. The acting and shooting are as you'd expect nicely done. It is the type of movie that everyone can enjoy and few are likely to be disinterested or hate it. The reason why I did not rate it higher is because it is so light and the plotting is weak. I never felt the impact that separates the experience of movies from that of television. The best parts of the film were the scenes with the father, which showed the rest could have been a bit more. Super Reviewer Jun 01, 2014 In my review of Indiana Jones and the Temple of Doom, I spoke about the misconception that darker films are inherently better or more substantial. If Steven Spielberg's film demonstrates that darkness can severely backfire in stories of a light or silly nature, we might logically assume that the opposite is true - namely that a serious or in this case factual subject matter can be handled in a fun, light-hearted way while still getting its substance across. This brings us on to Catch Me If You Can, a later Spielberg effort covering the early life of teen fraudster and con artist Frank Abagnale Jr.. It takes the potentially grim and gritty subject matter of confidence tricksters and spins us a merry yarn about the excesses of youth whose protagonist is always empathetic. While it perhaps doesn't go as far into its subject matter as perhaps it could have done, it's still a sterling piece of entertainment with a lot of heart behind it. Catch Me If You Can has an interesting production history, in which any one change could have drastically altered the finished product. Having been passed around the studios for 20 years since the book rights were first optioned in 1980, the project began to gain traction in 2000 when David Fincher signed on to direct. Fincher later jumped ship to make Panic Room, being replaced first with Gore Verbinski, then Lasse Hallstrom, Milo Forman and finally Cameron Crowe before Spielberg himself opted to direct. In each case, the director's subsequent output gives us some idea of how they would have approached Abagnale's story. Fincher would have brought an edgy undercurrent to proceedings, focussing on the mental state of Abagnale and the ease with which he was able to fool the system. Verbinski would have handled the story incompetently while doing some justice to the period detail, just as he would later do with Pirates of the Caribbean. Both Hallstrom and Crowe would have made things much more sentimental, playing up the father-son relationship at the expense of the actual cons. And Forman... well, on the basis of Goya's Ghosts, it would have been rather dull. In the end, Spielberg was the right person to direct this film. Regardless of his reputation or the influence he wields over the industry, the story of Catch Me If You Can is perfect for his sensibility. It has many of the elements which have characterised his best work light-hearted adventure, a celebration of American values, a son searching for his father and a dry, often joyous sense of humour. While direct comparisons with Indiana Jones are a little misleading, this is as close as he's come to Indy for some time, at least in terms of entertainment. The first big success of Spielberg's film is putting us in the period. The opening credits are quintessentially 1960s, with animated versions of the characters dancing out of the way of the various names. John Williams' score is playful and upbeat but with a whistful undercurrent, bringing to mind the iconic theme music for the Pink Panther series. While Monsters, Inc. used the 1960s look as juxtaposition to its funky CG animation, Catch Me If You Can uses it to great effect to acclimatise us before we've even seen our leads. The good visual work continues after the credits with some lovely period details. Janusz Kami?ski, who has worked with Spielberg since Schindler's List, offers up a colour palette of appealing pastel colours, harking us back to a more innocent, carefree time. Having been a teenager in the early- and mid-1960s, Spielberg clearly has a firm understanding of the fashions, manners and institutions of the period. No skirt seems too short, no car too modern, and no expression out of context or added purely to make the characters seem old-fashioned. While it doesn't revolve around the FBI enough to properly constitute a spy thriller, Catch Me If You Can is still the closest that Spielberg has come to making a James Bond film. He'd expressed an interest in doing so after 1941, with George Lucas pitching the original idea for Raiders of the Lost Ark as "better than James Bond". The film is fantastically paced so that two-and-a-half hours just fly by, with the thrill of the chase being beautifully balanced by more thoughtful and suspensful moments. It would be foolish, however, to think that Catch Me If You Can was all about surface, with no deeper ambitions other than recreating the period setting or providing a thrilling chase. Arguably the best thing about Spielberg is his ability to convey meaningful, often complex ideas through scenes and stories which appear to be totally frivolous. In this instance, he returns to one of his familiar themes of a father-son relationship, using a familiar device in his work to tease out the deeper motivations behind Abagnale's tomfoolery. Much like E. T. twenty years before it, Catch Me If You Can examines how divorce can severely impact the well-being of the couple's children. In the midst of Frank's great capers, which con honest people out of millions of dollars, we get scenes of Frank having often torturous discussions with his father, whose fortunes decline as Frank's rise. These meetings are a device on Spielberg's part in reality, Abagnale never saw his father again after leaving home at 16. But the change comes with the blessing of the real-life Abagnale even at the height of his exploits, he would fantasise about his parents getting back together. Frank begins conning as an act of determined rebellion against the old order. He sees his father, an upstanding pillar of the community, suffering as he goes through life doing things the right way; as much as he loves his father, he resolves never to end up like him. There's a through-line with Goodfellas here, with both films justifying their protagonists' illegal lifestyles on the grounds that living a legitimate life causes more trouble and unnecessary effort. Equally, there's a comparison with Death of a Salesman, with Leonardo DiCaprio standing in for Biff and Christopher Walken doing a very fine job in the tragic role akin to that of Willy Loman. But while Martin Scorsese's film was deeply ironic and sought to deglamourise the life of Henry Hill, Spielberg actively courts our sympathy for Frank's actions. Spielberg commented in interviews that people were "more trusting" in the 1960s and that the film wouldn't be deemed instructional to con artists of today. While this latter statement is definitely true, there's no denying that the film is far more sympathetic towards Frank than it is towards the FBI agent hunting him down. Carl Hanratty is depicted as being like Frank's dad seperated from his wife, driven by work, doing his best but still on the losing side until the end. We might dispute the value of being so sympathetic, given the differing intentions of the stories and the nature of their protagonists. But one area where Catch Me If You Can does falter a little is the mechanics of Frank's forgeries. It explains the cons in enough detail for us to follow, but it always puts the thrill of the chase over a deeper examination of how Frank managed to pull off any one scheme. On an intellectual level, it's much more Lethal Weapon 2 than To Live and Die in LA. While there is an awful lot of pleasure to be mined from just following the chase, there are moments in the film when we are conscious of Spielberg substituting depth for something less enticing. There's no issue at all with Frank seeing his father on a regular basis, but the fact that he keeps running into Carl on Christmas Eve is so contrived that even Frank Capra wouldn't touch it. Likewise, the ending drags a little, with Frank attempting one last escape in the midst of coming to work for the FBI. Had this section been trimmed, the film might not have needed the end cards explaning Abagnale's actions after reforming. Ultimately, these problems are allayed or rendered somehow less important through the charm of the central performances. DiCaprio's early career had seen him pandering to his pretty-boy image, but here he strikes a very good balance between fresh-faced charisma and emotional depth. Tom Hanks, fresh from a more demanding turn in Cast Away, turns in a typically fine performance as the downtrodden, long-suffering and frustrated Hanratty. Most impressive, however, is the Oscar-nominated Walken, who keeps things reined in tight to create one of his most meaningful performances in years. Catch Me If You Can is a rollicking good romp with a good amount of heart and a trio of fine male leads. While it's ultimately as light-headed as it is light-hearted, it does get to grips with some of the deeper issues with Frank's lifestyle as well as serving up much in the way of thrills and spills. While it's not Spielberg's best film by any stretch, it is a good example of how good he can be when he just decides to have fun. Feb 14, 2013 Great story. Amazing that someone would be ballsy enough to actually try the various occupations Frank did. Super Reviewer Nov 11, 2012 Certainly one of Speilberg's most nuanced films, and, as a result, arguably more affecting and emotionally resonant than Saving Private Ryan or Schindler's List. The story is fascinating and both Speilberg and his cast do it full justice, delivering quick witted thrill with a sort of fragility behind it. Really great- my favourite Speilberg. Super Reviewer

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Catch Me If You Can Let me out the darkBack to the startWatching every footstep in front of meBeen chasing fireBeen walking over wireI see what I wanna seeGoing straight to my headI just can't pretendWhat have you done to me?I was walking the wallNow I'm a free fallI'm a runawayJumping out of placeBe my parachuteBe my parachuteThrow me in the skiesNothing left to hideJust the firefliesCatch me catch me catch me if you canCatch me catch me catch me if you canCatch me catch me catch me if you canCatch me catch me catch me if you canHanging by a threadPushing back the edgeTracing words that saidIt leads me right back to youUnderneath it allI may trip and fallBut you're my feather wingWouldn't change a thingWent straight to my heartLet me out of the darkWhat have you done to me?I was walking the wallNow I'm a free fallI'm a runawayJumping out of placeBe my parachuteBe my parachuteThrow me in the skiesNothing left to hideJust the firefliesCatch me catch me catch me if you canCatch me catch me catch me if you canCatch me catch me catch me if you canCatch me catch me catch me if you canMaybe I should hit the groundMaybe I mispelled a boundBut I'm not afraid at allEverybody's dream I reach for thisA leap of faith is worth the riskBut when I am with you I just wanna be free fallingI'm a runawayBe my parachuteBe my parachuteI'm a runawayJumping out of placeBe my parachuteBe my parachuteThrow me in the skiesNothing left to hideJust the firefliesCatch me, catch meCatch me, catch meCatch me, catch meCatch me, catch me Me Pegue Se Puder Me deixe sair do escuroVoltar para o começoObservando cada passo na minha frenteJá estive perseguindo fogoAndado em um fioEu vejo o que eu quero verIndo direto para minha cabeçaEu não posso fingirO que você fez comigo?Eu estava andando na paredeAgora eu estou em uma queda livreEu sou uma fugitivaSaltando fora dos aviõesSeja meu para-quedasSeja meu para-quedasMe jogue nos céusNada a esconderApenas os vaga-lumesMe pegue, me pegue, me pegue se puderMe pegue, me pegue, me pegue se puderMe pegue, me pegue, me pegue se puderMe pegue, me pegue, me pegue se puderPendurado por um fioEmpurrando de volta o limiteTraçando palavras que diziamIsso me leva de volta para vocêEmbaixo de tudoEu posso tropeçar e cairMas você é minha asasNão mudaria nadaFoi direto ao meu coraçãoMe deixe fora da escuridãoO que você fez comigo?Eu estava andando na paredeAgora eu estou em queda livreEu sou um fugitivoSaltando fora de lugarSeja meu para-quedasSeja meu para-quedasJogue-me nos céusNada a esconderApenas os vaga-lumesMe pegue, me pegue, me pegue se puderMe pegue, me pegue, me pegue se puderMe pegue, me pegue, me pegue se puderMe pegue, me pegue, me pegue se puderTalvez eu deva cair no chãoTalvez eu tenha erradoMas eu não tenho medo afinalO sonho de todo mundo eu alcancei pra issoUm salto de fé vale o riscoMas quando eu estou com você Eu só quero estar em queda livreEu sou uma fugitivaSeja meu para-quedasSeja meu para-quedasEu sou uma fugitivaSaltando fora dos aviõesSeja meu para-quedasSeja meu para-quedasMe jogue nos céusNada a esconderApenas os vaga-lumesMe pegue, me pegueMe pegue, me pegueMe pegue, me pegueMe pegue, me pegue NontonDrakor Winter Sonata Subtitle Indonesia disini, Serial Drakor berkualitas. Silahkan Nonton Online dan download Gratis disini Jika film terasa lambat / error / dmca dan ingin mengganti resolusi silahkan klik pada tombol sumber video di bawah player. Untuk mengganti sumber video lainnya. A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit. —yusufpiskinAwards 16 wins & 46 nominations totalBudget $52,000,000 estimatedWorldwide Gross $352,114,312Soundtrack To Tell the Truth Written by Paul Alter and Robert IsraelSteven SpielbergLeonardo DiCaprio, Tom Hanks, Christopher Walken2002-12-25 United States, Canadatt0264464 Diposting pada31 Juli 2022 Dilihat0 Post Views 0 Show Show Show ^{CatchMe If You Can Fun and offbeat, Catch Me If You Can marks probably the best film either Steven. Entertainment Gadgets News Technology . Teens use apps to keep secrets? March 24, 2015 admin . Entertainment News Technology . Fastest plane in the world . March 24, 2015 admin 0.}

Guess it’s just hard to compete a scammer story in the era of Theranos and Fyre Fest, even when it involves literal murder. This is the fictionalized "true story" of a guy who passed himself off as an MI5 spy in order to scam people. Julianne Moore and Sebastian Stan play serial grifters in this entertaining collection of twists. If you like true crime stories that don’t make you want to batten the hatches in your home, this is the right speed for you. Penn flies the flag high for Terrence Malick in this heavy melodrama. Bill Skarsgård stars as Olofsson, who helped coin the phrase "Stockholm syndrome." This BOATS Based On A True Story movie also stars Vanessa Redgrave and Annette Bening. Netflix has a couple of new rom-coms, a Lin-Manuel Miranda family film, and a few classic films to round out your summer season. Here's a quick history lesson before you stream the 2002 crime drama. Eddie Murphy Raw, Spring Breakers, Pieces of a Woman... where to begin? Your to-watch list just got even longer. She's our guardian an-Jill Ruckelshaus! Leo's days playing youthful charmers are over, but this film reminds you of why he became the biggest movie star of his generation. The most critically-acclaimed titles hitting the platform this month. The only movie that stars Leonardo DiCaprio as a pilot, lawyer, and doctor. Sundance Now has films starring Reese Witherspoon and Leonardo DiCaprio? Sign us up! In honor of 'Ready Player One', here's how to watch every available Spielberg movie from your couch. Including a cartoonist, a pornographer, and a billionaire fast food mogul! Make plans to stream some previous Oscar nominees before they disappear on January 31! This Leonardo DiCaprio-Tom Hanks crime caper is worthy of a re-watch.

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Cast & crewUser reviewsTrivia2002PG-132h 21mBarely 21 yet, Frank is a skilled forger who has passed as a doctor, lawyer and pilot. FBI agent Carl becomes obsessed with tracking down the con man, who only revels in the 21 yet, Frank is a skilled forger who has passed as a doctor, lawyer and pilot. FBI agent Carl becomes obsessed with tracking down the con man, who only revels in the 21 yet, Frank is a skilled forger who has passed as a doctor, lawyer and pilot. FBI agent Carl becomes obsessed with tracking down the con man, who only revels in the production, box office & company infoVideos9More like thisReview Brilliant, especially DiCaprioOn Leonardo DiCaprio's 31st birthday, I have the pleasure of praising one of the finest actors working today. I didn't realize what I was seeing when that homeless boy showed up on 'Growing Pains'-a show not exactly known for the quality of its actors. And I didn't see much to like about "Titanic" except the excitement of watching the people evacuating and the ship sinking. Also, 'Romeo and Juliet' was just corny, with 400-year-old dialogue in a modern if he could be nominated for his 'Aviator' performance, DiCaprio must be doing something right. And here he shows us what he is capable of. Especially when Frank Jr. is conning people, and most of all when he tries to outwit Hanatty. I am reminded of Harrison Ford and Tommy Lee Jones in "The Fugitive", or perhaps Burt Reynolds and Jackie Gleason in "Smokey and the Bandit". The strange but enjoyable chemistry between these two characters goes a long way toward making this movie Jr. showed a lot of intelligence, and DiCaprio effectively showed us what this man could do. Imagine what he could have accomplished if he had stayed on the right side of the law. But his life on the run was more fun to Hanks, as popular as he is, can be commended for his willingness to play second banana for a change. And he did a fine job. Martin Sheen and Christopher Walken also made an impact loved the old cars and the even older songs. The clip from 'To Tell the Truth' was a nice touch. The theme song still gives me a craving for vanilla ice cream after nearly 30 years I didn't feel I had time to watch the new version.This was Oscar-caliber. Too bad the Academy Awards people didn't seem to 11, 2005Contribute to this pageSuggest an edit or add missing contentEdit pageMore to explore

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